Sunday, March 20, 2016
Short Story In The Pinch
Interview In Luna Luna Magazine
I'm a big fan of Luna Luna Magazine and poet Joanna Valente and was thrilled that she interviewed me about The Birth Creatures for Luna Luna. You can read my answers to questions about pregnancy and the process and style that shaped The Birth Creatures here.
Poems In Posit
I have two new poems in Issue Nine of Posit that you can read here.
"Resolutions" was written at the beginning of 2015, when I was thinking a lot about the quietness and safeness of my writing and how I wanted that to change (which, I think, it has for the better). Nothing wrong with quietness in writing in general, but in my case, there was a comfort level in my creative space contributing to that, and I've recognized a need to step outside of it if I want to improve my craft.
"A Spill on the Grid" explores a similar theme and is another one of my "Malala poems" - I've always been fascinated by her father's encouragement of her outspokenness, as it contrasts what I was more or less instructed to do when I was her age, and I look to her courage and intelligence often when navigating a more outspoken creative path for my own writing.
Big thanks to Susan Lewis and Bernd Sauermann for including me in this issue.
"Resolutions" was written at the beginning of 2015, when I was thinking a lot about the quietness and safeness of my writing and how I wanted that to change (which, I think, it has for the better). Nothing wrong with quietness in writing in general, but in my case, there was a comfort level in my creative space contributing to that, and I've recognized a need to step outside of it if I want to improve my craft.
"A Spill on the Grid" explores a similar theme and is another one of my "Malala poems" - I've always been fascinated by her father's encouragement of her outspokenness, as it contrasts what I was more or less instructed to do when I was her age, and I look to her courage and intelligence often when navigating a more outspoken creative path for my own writing.
Big thanks to Susan Lewis and Bernd Sauermann for including me in this issue.
Monday, February 15, 2016
Birth of THE BIRTH CREATURES
My magical realism e-chapbook, The Birth Creatures, is out today from Agape Editions! It is available as a free download here. Here's what some poets have to say about it:
"Something fantastic mixed with the plundering lowing of pregnancy and early motherhood is present here. We have the surprise mixed with trim rhyme: 'I'm pulled into the rhino / nestled in its crib of ribs' and we think of this grotesque comfort, the body as push and pull and grasping. So much is about consumption and aggressively so: the moon is devoured and 'a peat bog / where the kitchen table was' becomes the murky counterpoint. This is a geography that lurks, that is an extra self within the realm that is the deep loneliness of early motherhood. I too felt consumed while reading this chapbook, but in the best, most delicious way."
—Molly Sutton Kiefer, author of Nestuary, Tinderbox Editions EIC
"How a woman's body turns alien, fantastical, so foreign to herself when she grows a child—'under the crust I am cherry pie.' Samantha Duncan's powerful chapbook-length poem The Birth Creatures traces a 37-weeks-pregnant woman's struggle to accept what this birth will mean: 'I'm an afterthought to be studied/ my insides sighing/ against the hunger for/ more of me it you.' Besides the innumerable bodily changes (what Duncan calls a 'revolution'), in the house where the woman waits for labor, a cypress tree roots under the crib, a rhinoceros appears where the bouncer was to go, bird bones appear in the bathroom. The Birth Creatures is in one way true to the tradition of magical realism, but also unapologetically peeks at the undersides (those secret, sad feelings) of what it means to become a mother: 'a journey a century/ transforms insides/ into leftovers/ the waste the time// the assimilation of you/ into me.' Yet also, the joy: 'we are doing/ we are real.'"
—Nicole Rollender, author of Louder Than Everything You Love
I'm triple excited to have this book out in the world and couldn't be more grateful to Fox Foley for seeing the magic in it. I hope you'll read and enjoy it.
"Something fantastic mixed with the plundering lowing of pregnancy and early motherhood is present here. We have the surprise mixed with trim rhyme: 'I'm pulled into the rhino / nestled in its crib of ribs' and we think of this grotesque comfort, the body as push and pull and grasping. So much is about consumption and aggressively so: the moon is devoured and 'a peat bog / where the kitchen table was' becomes the murky counterpoint. This is a geography that lurks, that is an extra self within the realm that is the deep loneliness of early motherhood. I too felt consumed while reading this chapbook, but in the best, most delicious way."
—Molly Sutton Kiefer, author of Nestuary, Tinderbox Editions EIC
"How a woman's body turns alien, fantastical, so foreign to herself when she grows a child—'under the crust I am cherry pie.' Samantha Duncan's powerful chapbook-length poem The Birth Creatures traces a 37-weeks-pregnant woman's struggle to accept what this birth will mean: 'I'm an afterthought to be studied/ my insides sighing/ against the hunger for/ more of me it you.' Besides the innumerable bodily changes (what Duncan calls a 'revolution'), in the house where the woman waits for labor, a cypress tree roots under the crib, a rhinoceros appears where the bouncer was to go, bird bones appear in the bathroom. The Birth Creatures is in one way true to the tradition of magical realism, but also unapologetically peeks at the undersides (those secret, sad feelings) of what it means to become a mother: 'a journey a century/ transforms insides/ into leftovers/ the waste the time// the assimilation of you/ into me.' Yet also, the joy: 'we are doing/ we are real.'"
—Nicole Rollender, author of Louder Than Everything You Love
I'm triple excited to have this book out in the world and couldn't be more grateful to Fox Foley for seeing the magic in it. I hope you'll read and enjoy it.
Thursday, February 11, 2016
Puppy Monkey Poem
This is me stopping in to report that I've been busy and THINGS ARE AFOOT.
- If all goes according to plan, my new chapbook, The Birth Creatures, will drop NEXT WEEK from Agape Editions (that's right, I said "drop," like I'm a god damn rock star and not, er, the opposite of that). It's a kooky little book I wrote last year, and I couldn't be happier that Fox Foley picked it up for her new Sundress Publications imprint. This is my first foray into e-chap publishing, and I'm super excited to reach a wider audience through this medium. Look for the link, soon, y'all.
- The awesome folks at Stirring published my poem, "Color Wheel," in their February issue that you can read here. It's the second published poem from my 90s batch that I wrote last year. The first was "Juliet," which you can check out in Really System here. The overarching theme in this batch is, as always: I still want to be Claire Danes when I grow up.
- Gigantic Sequins is officially OPEN for submissions until March 15, and I'm helping read poetry and CNF. In addition to those categories, they're also looking at fiction and art/comics, so go here to send them stuff. GS is also taking pre-orders for Issue 7.1, which I helped read for, link to purchase here.
- We're hard at work at ELJ Publications reading manuscripts for our 2017 catalogue. Check out our submission guidelines here. Our sub fees are all under $10, and we typically respond quickly. Our 2016 lineup is pretty sick, so you know you want to join our family. Send your stuff by April 1.
- Jordan Catalano, I'm coming for you.
Friday, January 1, 2016
Flash Fiction in Flapperhouse
The lovely Flapperhouse published my flash story, The Playground, in their Fall 2015 issue, and you can now read it online, here. So excited for this pub, as it marks my return to fiction, my primary game.
Poems in Menacing Hedge
Thrilled that Menacing Hedge published an excerpt from my chapbook, The Birth Creatures, in its Fall 2015 issue. Check it out, alongside some other great work, here.
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